![]() ![]() He takes the group through a few "basic" ways to use the software - "when the velocity goes up, I want the envelope filter to go up. Tonight's event - the largest meet-up of Ableton enthusiasts of its kind in the world, Spencer says - is for beginners and experts alike. "Which is also its criticism sometimes," Spencer says. "And Ableton is really playing into that space." "The reality is, if you want to, you can get your hands on tools that enable you to produce music that is at a quality that it can be released from your laptop - and, increasingly, from your phone," Spencer says. Pick any other instrument - real or synthetic - and repeat. Choose a drum beat from a seemingly limitless bank of sounds, and leave it at that, or create your own beat, tweaking every frequency in every conceivable way. He comes from this scene."Ībleton Live is as simple or as complex as you want it to be. ![]() "He taught, very briefly, how to produce with Ableton in Sydney. "It's funny you mention Flume," Spencer, who has been helping organise these monthly Ableton User Group Melbourne meet-ups for five years, says. Tom Spencer, the Melbourne musician who helped found the meet-up. The genre was once dominated by DJs with turntables and trucks full of vinyl. Their brand of sparse, deceptively complex electronic music is what Ableton Live is all about.Ĭreated nearly two decades ago as a comprehensive way to produce and perform music on a single computer screen, Ableton is the modern-day producer's weapon of choice. In the past decade, however, acts like Sydney's Flume (Hottest 100 winner, 2016), Chet Faker (Hottest 100 winner, 2014) and others - proponents of what has been called the "Australian sound" - have found fame in Australia and overseas. In the '90s and early 2000s, guitar bands dominated the airwaves. Tonight's attendees, at the Arts Centre in central Melbourne, are here to talk about the ins and outs of Ableton Live, a kind of cultish piece of German computer software. One of the night's organisers, Melbourne musician Tom Spencer, confirms it is. "Is this the Ableton group," asks a newcomer. The room's lit like a nightclub, but some still double-check to make sure they're in the right place. ![]() The young men - and they are almost all men, dressed in dark colours - file in one by one. ![]()
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